Like watching paint dry (exactly)

Ken’s sweater is all done, but for the making up, and the neckband. Honestly, I can point at a million projects of my youth and tell you that the number one thing that stood between me and greatness back then was laziness and a lack of patience.  Everything I’ve ever made that was just exactly as I’d hoped, everything that’s a 10/10 is that way because I resisted some urge to take a short cut, and so as is proper, all the parts of Ken’s sweater have been blocked before the making up. Everything goes together so much nicer when this step happens first, so I’ve been walking by them since yesterday morning. I keep walking by and giving them a pat and waiting for them to be dry. They are not, and I’m not sure the constant patting is making a difference but I intend to keep it up. At best it’s got to be helping the air circulate.

While I’m waiting I’ve been pounding out a pair of mittens from the handspun – I settled on Signal Hill because it was so well suited to four colours and because I’ve knit on top of that hill more than once, and it’s nice to remember. (If we are ever travellers again, you should go there directly.) I’ve got one done, it’s a pretty fast knit, and I am grooving pretty hard on the 70s vibe these have.  I really like them…

they remind me of tile in my grammy’s bathroom when I was growing up. (They went perfectly with the avocado green bathtub and I don’t care what you say, that was cool.)

One to go- though I thought I might wind up spinning today, but after a few minutes of reflection I can tell you that I am hereby reaffirming that the rule is that I will spin when it rains – not when it (*&%Cing SNOWS.  (Let us pause and reflect here that while May snow is technically legal in Canada, it seems like a bloody insult when we’ve already got a pandemic and murder hornets. This plot is overwritten.) I decided to ignore the snow, which is the way that my mother taught me to handle rudeness.

Moving along, I also fixed a pair of Cameron’s socks – he’s got a pretty good sock drawer rocking these days, and he and I can’t be the only ones who think so, because he went into his sock drawer a while ago and found that three pairs of handknit socks had been thoroughly munched. He returned them to me for rehab, and I’ve started making my way through the repairs. (What the hell there is still snow.)

The first pair I tackled had the simplest damage – just the heels had been chomped, so I picked up stitches round the heel –

Snipped it off.. (relax, it’s not that bad)

and knit new heels,

then dumped them off on Cameron’s porch.  Many thanks to the gentleman for helping me out with finished object photos – who knew that physical distancing would mean that he’d have to rise to the challenge of photographing his own feet. He did really well for a rookie.  (There are two more pairs to go, I expect him to get better with each.)

I’ve fixed the next pair, and this time I took videos of how I was doing it – talking a bit about the process, and that brings me to the next thing, and it’s a thing I feel a bit awkward about, though as I talk it through with Joe and friends (mostly friends who are also textile teachers) I’m starting to come around.   I have figured out (although my natural optimism really did slow this process down a lot) that it is going to be a long time before I can go back to work – before most knitting teachers and public speakers can go back to work. Starting with the problem at it’s most basic, the border is closed, and any way you slice it I think it will be a long time before the it opens again, and even if it does, I think it’s going to be quite a few months before travel based teaching to groups is safe, easy or fun.

I thought about “virtual” teaching, I know some other teachers are trying it, but it doesn’t seem like my jam, and so I’m going to try my own thing, even though I am not completely sure what that thing will be. To that end, I’ve started a Patreon. If you’re not familiar, it’s a platform where artists (that’s me) connect with people who like what they do (maybe that’s you) and you pay X money per month (man the Canadian in me hates this money talk) and I provide some of what I make for you. (So awkward.) The traditional set-up is that some people pay $, and they get a certain amount of content, and then other people pay $$ and they get more, and then other people pay $$$ and they get even more.

I don’t know about you, but inequity feels super wrong to me right now (ok most of the time) when some people have money just because they’re lucky and other people are broke because they happened to have the wrong job at the start of this and I don’t think that if a roll of the dice happened to mean that you’ve got more than someone else you should necessarily get more than someone else and yes, my little socialist Canadian heart is beating hard here) so I’ve decided that while I will do a Patreon, there is only going to be one tier, and that everyone gets all the same content at that tier.  There is an option to pay more if you feel like it or you’re Bill Gates (in which case lay it on me sir I will spread it around) but I’ve settled on a price low enough that I hope it’s as accessible as it can be while still being worth my work. It’s $6 a month. I’ve decided to keep the price low so that I can keep production values… um, similar. (I have a lot to learn about video editing, for a start.)

I want to be totally transparent here – I don’t know what is going to happen over there.  I know I’ll do some tutorials, convert what of my class material works in that video format, which means that at least once a month I’ll teach you something (or try to, most of you are pretty skilled) and I think that $6 is pretty reasonable for a mini-class or tutorial. I’m also thinking about some audio stuff – I’ve got an unemployed audio guy sitting right here (pantless) so maybe some story telling would be cool, or maybe I’ll take advantage of how many very neat people I know, and try introducing you to them. Maybe I’ll do something else – I don’t know. I can’t promise I’ll do anything in particular but I will produce some forms of entertainment overt there on the regular, and more than that, I promise that if I include another maker in an offering, I’ll compensate them properly. There’s lots of teachers hurting, and there’s got to be a way to help some of them with my platform, so I’ll try to do that.

What I can promise is that this blog is going nowhere. This is blog is my home life, who I am and my connection to the broader community and I can’t live without it.  The Patreon is work – a replacement for what I did when I was on the road, and so you can expect things to stay pretty much the same here – you don’t have to sign up for the Patreon to stay in touch with me any more than you had to sign up for a class before.

I don’t know if this is the right thing to do. It’s been a hard slog over the last several weeks figuring out what my work is going to look like, how I’ll make ends meet, and I’m just so grateful that Joe and I have savings and resources to pad things while we get through this, I know some of you don’t, and my heart is so with you.  This is a hard time for so many, even if it is not snowing where you are.

I love all of you, and I hope you’re safe.